“Where’s the Australia Soundtrack?”, “Who composed the score?”, “Where can I purchase David Hirschfelder’s music from the film?” and again “Where is the Australia Soundtrack?” are just a mere few examples of many many e-mail enquiries, forum posts, and guestbook entries wanting to know what on earth Bazmark and 20th Century Fox are doing. Even a large amount of our site traffic is coming from other forums and serach results looking for the same thing.

At first it appeared there was simply a delay, but as time goes on it’s fast becoming a disappointing reality that the score for this film, by musician David Hirschfelder, may not be made available to the public. We’ve been told that the rights obviously lay with Bazmark and Fox, and beyond that it is unknown what the decision for release will be but, “at this point it doesn’t look likely”.

It’s a befuddling world we are living in when random films such as Just Like Heaven, Serendipity and The Wedding Planner have soundtracks made available but Fox cannot publish a hardcopy CD for Australia containing the works of an award winning composer. Where’s the logic?

With the recent boost in interest generated by international filmgoers, there may still be a chance for the soundtrack to reveal itself yet. However in the meantime davidhirschfelder.com has generously put five full songs from the Australia score in high quality streaming format on the composer’s official website.

The website reads, “David spent 7 months on the project from temp to trailers to finished score. His imposing score at times combines frenetic percussion of pounding cattle hooves melding on the barren red desert and river beds to the majesty of a herd of wild brumbies galloping across the dusty plains. With over 2 hours of underscore it is hard to pick highlights…”

Tracks made available are Bombing of Darwin, Nullah Enchants Sarah, England to Oz, Stampede and Nullah is Safe. The website is best viewed using Internet Explorer.

Category Tags: Crew Miscellaneous

Only a mere days ago Australia was given wider international release into countries such as the UK, Germany, Italy and France; and filmgoers have flocked to see the epic over the holiday period. As the movie was released less than a week ago full Box Office figures are not yet available, however Variety is already reporting that the film is number one in Spain with a taking of $6.26m AUD, and doing just as well in France and Germany with $11.38m AUD between the pair. Slightly slower on uptake is the UK where the film opened at number 3 reports The Australian.

At home Australia continues to gain an audience. After spending several weeks at number one the film dropped to fifth place this weekend due to the influx of new films being released, but surprisngly against the trend it was the only film to increase its intake by three percent on the previous weekend. Perhaps showing that a lot of the adult target audience had waited until their holidays to catch the film. Based on AUD figures from UrbanCinefile, after five weeks of screening Australia is now at $25,281,120, which is interestingly still marginly ahead of blockbuster Titanic which took $25.8Mil in six weeks of screening down under. Also of note, Australia has replaced Crocodile Dundee II in the Australian Box Office hall of fame as fifth ranked homegrown movie of all time. Next in line for dethroning is Luhrmann’s own Moulin Rouge! with a taking of $27.7Mil it seems entirely possible!

What does all this mean? Overall BoxOfficeMojo states that as of December 30th Australia has currently made apx $91mil USD ($129,493,000AUD). With this fresh and successful wave of foreign market release Australia can enter 2009 with a steady and postive outlook for those who are interested in more than just artistic merit.

with thanks to: jackson_bay_mystery

Category Tags: Miscellaneous Press

A round up of video interviews and appearances, compiled over the last few weeks with the help of our wonderful forum members. Hope you’re all having a lovely holiday break and spending time with loved ones.

AMC Shootout: Baz Luhrmann and Hugh Jackman
Rome Press Conference: Nicole Kidman
Paris Red Carpet: Nicole and Hugh - Gala tv
Glamour Magazine: London Premiere / Hugh Interview
Vogue Magazine: Catherine Martin
MovieWeb: Great Set of Cast Interviews
CondeNastTraveller: Hugh Jackman
Movies.ie: Hugh Jackman
Empire Magazine: Baz Luhrmann
The Fabulous Picture Show: Jackman & Luhrmann
Film24: Jackman & Luhrmann
Croatian TV: Hugh Jackman

Be sure to visit our own multimedia section as we’ll be adding a few gems. Please join our forum for detailed reviews, videos, images and if you’ve gained some money over the holidays why not spread the wealth and donate to australiamovie.net?

Category Tags: Appearances Baz Luhrmann Cast Catherine Martin Crew Hugh Jackman Media Nicole Kidman Site News TV

In one of the first in depth interviews since the reaction to Australia began rippling around the world, director Baz Luhrmann candidly speaks to Steven Zeitchik at The Hollywood Reporter about the intense reaction from some members of the press, the passionate reaction from the audience and what the future may hold.

Baz Luhrmann’s “Australia” may be doing some middling U.S. boxoffice, earning about $38 million since it opened Thanksgiving weekend, but the director is unrepentant as the movie nears its first month of release stateside.

In one of his first interviews since the movie opened, he sat down with The Hollywood Reporter and spoke out against “Australia’s” critics and those he feels call him the “black hole of cinema.” He also said he will move quickly on his next project, “The Great Gatsby,” which he said will be a perfect parable for economic disaster.

“A lot of reviewers like ‘Australia.’ And we’re making people cry; I know because they write to us,” he said. “But there are those that don’t get it. A lot of the film scientists don’t get it. And it’s not just that that they don’t get it, but they hate it and they hate me, and they think I’m the black hole of cinema. They say, ‘He shouldn’t have made it, and he should die.’ “

Asked why he thought the reactions were so passionate, he replied: “I know what it’s about.” The movie’s detractors were used to movies that were neatly defined, he said. “This is not (simply) a romantic comedy for 40-year-old women or action movies for 17-year-old boys, and that’s not OK with some people. It’s not OK for people to come eat at the same table of cinema. But you look at movies like ‘Gone With the Wind’ and Old Hollywood classics, and they don’t fit in any box.